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Black Girl Interrupted

Wicket: A Parody Musical

You ever worked at a job that you were overqualified for and your boss and the leadership seemed incompetent and inept and had the NERVE to be dismissive of your brilliance?

The role of the Ensign, I originated in “Wicket: A Parody Musical,” is written as a cautionary tale of the effects of casual racism, lack of representation, and mansplaining in the workplace.

In the Star Wars world elaborated upon in this parody, The Ensign is a black female officer in the notoriously white and male Galactic Empire. She’s a brilliant overachiever with a diabolical penchant for evil and a powerful voice that goes underutilized because of the package she presents it in. She is able to discern Palpatine’s covert operations and recognize all of the blaring and seemingly obvious, at least to her, flaws in his ill-conceived plans. However, every question or suggestion or attempt to infuse common sense is met with dismissal or, even worse, outright interruption.

Literally, her attempt to sing her song is cut off 3 times by some garish man not talkin’ about nothin’! When Palpatine’s failures become glaringly apparent to the point of being faced with an outright Ewok rebellion, the Ensign will no longer be silenced and commences to read the Emperor and his lackeys for filfth in the aptly named Fuckin’ Bullshit, an operatic aria, no less.

“You ain’t shit, ya’ boys ain’t shit, I was too good for this damn job in the FIRST place, you silence me because I’m a black woman, but #TimesUp!”
Photo by Haylee Anne Kitties.

Of course, the narcissist in Palpatine won’t have it and he strips The Ensign of her rank in a final attempt to exert his authority. By this point, The Ensign lets it be known that she is reclaiming her time and leaves Palpatine with a stern warning (and on some nights a good “I * PRO * MISE * YOU * BOO * BOO”).

The thing with incompetence is, when it is no longer being enabled by the undergirding of true skill and capability, it can only do what it does, usher in its own destruction. Thus is Palpatine’s lot when he fails to honor the signs and ultimately succumbs to The Ensign’s lightsaber. It is only at this point, after assessing the Empire’s wounded state and a need to regroup, she negotiates a truce with Princess Leia and her identity is revealed (((*spoiler alert* ))) as Snoke, later to become the Supreme Leader of the First Order.

You gotta wonder: What if Palpatine had listened to The Ensign? What if her brilliance and talents were embraced and utilized? What if The Ensign had flipped the fuck out the first time they came at her crazy? What if H&M had some black folks in on the decision-making process who could say “um, probably not smart to refer to a little brown boy as a monkey.”

Don’t be a Palpatine and miss your blessings! You better make an effort to be out here listening to people who are different from you because varying insights and perspectives could help you achieve your nefarious greatness and keep you from creating things that will turn round and bite you in the ass…or the balls.

April 19, 2018/by Jayme Alilaw
https://wicketmusical.com/wp-content/uploads/2018/04/wicket-fbshared-01.jpg 1254 2400 Jayme Alilaw https://wicket.wpengine.com/wp-content/uploads/2017/10/Wicket-Logo-w-Tagline-Black-500px-300x109.png Jayme Alilaw2018-04-19 09:00:102018-04-22 07:39:31Black Girl Interrupted

Behold! The World’s First Ewokese Rhyming Dictionary

Wicket: A Parody Musical
NOTE: This was written a long time ago in a Ford Galaxy far, far away. The original post is here!

 

This crew got rhymes.

I may have just completed my life’s most important work.

But let me back up for a second first.

For years, I have threatened to write a musical that tells the story of what’s going on behind the scenes during Return of the Jedi. More specifically, what’s going on with the Ewoks of Bright Tree Village. We know them as Chief Chirpa, creepy shaman Logray, and of course my favorite, Wicket.

WicketPosterNew

Yeah, I went there.

Wicket is the cute Ewok scout who first meets Leia and brings her back to the Bright Tree Village (while Logray is advocating cooking and eating Luke, Han, and Chewy.) He is also the hero of Wicket, the musical I’m working on.

I’m hoping the need for an Ewokese rhyming dictionary is making more sense now. The majority of the show will be in Galactic Basic (what some of you might call English), but I still want the Ewoks to be able to bust out a few rhymes in their native tongue.

I will happily share more info on the show in a later post. For now, I wanted to share—for posterity—the Ewokese rhyming dictionary that I have slaved over for the past few days. I’m sure a lot of people need it.

But first, a few caveats:

  • I am not an Ewokese expert—my pronunciations may not be perfect
  • For my purposes, I’m using ‘near rhyme’ rules for the multisyllabic rhymes that are noted.
  • Almost all of the Ewok words and phrases I used come from the wookipedia, which in turn come from the amazing work of Return of the Jedi’s sound designer Ben Burtt. I have scrounged a few additional words and phrases from elsewhere on the internet.

So without further ado, please enjoy the world’s first Ewokese Rhyming Dictionary:


A

-ah

Aargutcha (ar gooch ah) — Pull

Acha (ah chah) — Okay, all right

Ah-ah (ah ah) — Water

Akeeata (ah kee ah tah) — Hear

Amoowa — You have a..

Cha/Chaa (chah) — Them

Chaaa — This one

Coatee-cha (kote tee chah) — Celebrate

Dee fratta (dee frah tah) — That’s, that is

De oppra (dee opp rah) — Upper, top

Ee chee wa maa! (ee chee wah mah) — Wow, gee whiz! Oh my goodness.

Ee choya! (ee choy ah) — Hey

Eedada (ee dah dah) — Over

Eedeeza (ee dee zah) — Ten (10)

Ehda (ay dah) — Evil, Bad

Ekla (ek lah) — Big

Enenah (en en ah) — Where

Entzahee roda (ents zah hee roh dah) — Cook

Enya — Show

Esa — Why

Fopa — From

Fudana — Wait

Glowah — Glory

Goon daa (goondaa) — delicious

Gooka (goo kah) — Shelter

Goopa (goo pah) — Hi.

Gunda (goon dah) — Yummy

Heeta hutah — Bark lizard

Hurga — Teach

Jeerota (jee roe tah) — Friend

Ka — The

Kaiya — Giddyup!

Kla (klah) — From

K’na Naa (kuh nah nah) — Spirit Tree

Kra (krah) — Ready

Luka — Stars

Manna manna (man ah man ah) — Food

N’dla (nah dla) — Six (6)

Ne gata/Ni gata (nee gah tah) — Where is…?

Ninga ninga — I respect

N’la (nah la) — Five (5)

Nocka — Deal

Nude-La — I am a…

Ooba (oo bah) — Rain, Rainfall

Ota (oh tah) — To the

Pibooka (pih boo kah) — Clearing

Pola (poh lah) — Polar

Powa (pow wah) — Power

Roda (roh dah) — To eat

Ronda ronda — Landing platform

Ruha (roo hah) — Hit

Sta (stah) — Now

Stoja (sto jah) — Station

Ta (tah) — The

Tana (tah nah) — The Ewokese name of the planet Endor

Teeha (tee hah) — Thank you

Teera — Only

Theesa (thee sah) — Baby, child

Toma — Your(?)

Treeta Dobra (tree tah Doh brah) — Council of Elders

Uuta — Sky

Weewa (wee wah) — House, home

X’ekra — Guard/watch/protect

X’iutha (zhoo thah) — Important

Yaa-yaah! — Greetings.

Yah wah—power

Yeha (yee hah) — Good bye

Yud ehda/Yut ehda (yood ay dah) — Alas

two syllables

-ah-ah

Acha (ah chah) — Okay, all right

Ah—ah (ah ah) — Water

Dee fratta (dee frah tah) — That’s, that is

De oppra (dee opp rah) — Upper, top

Ee chee wa maa! (ee chee wah mah) — Wow, gee whiz! Oh my goodness.

Eedada (ee dah dah) — Over

Fudana — Wait

K’na Naa (kuh nah nah) — Spirit Tree

Manna manna (man ah man ah) — Food

N’dla (nah dla) — Six (6)

Ne gata/Ni gata (nee gah tah) — Where is…?

N’la (nah la) — Five (5)

Tana (tah nah) — The Ewokese name of the planet Endor

Yaa-yaah! — Greetings.

Yah wah—power

-ai-ah/-ay-ah

Ehda (ay dah) — Evil, Bad

Kaiya — Giddyup!

Yud ehda/Yut ehda (yood ay dah) — Alas

-ee-ah

Akeeata (ah kee ah tah) — Hear

Coatee-cha (kote tee chah) — Celebrate

Eedeeza (ee dee zah) — Ten (10)

Ninga ninga — I respect

Teeha (tee hah) — Thank you

Teera — Only

Theesa (thee sah) — Baby, child

Weewa (wee wah) — House, home

Yeha (yee hah) — Good bye

-eh-ah

Ekla (ek lah) — Big

Enenah (en en ah) — Where

Enya — Show

Esa — Why

X’ekra — Guard/watch/protect

-oh-ah

Entzahee roda (ents zah hee roh dah) — Cook

Fopa — From

Glowah — Glory

Jeerota (jee roe tah) — Friend

Nocka — Deal

Ota (oh tah) — To the

Pola (poh lah) — Polar

Roda (roh dah) — To eat

Ronda ronda — Landing platform

Stoja (sto jah) — Station

Toma — Your(?)

Treeta Dobra (tree tah Doh brah) — Council of Elders

-ooh-ah

Aargutcha (ar gooch ah) — Pull

Amoowa — You have a..

Goon daa (goondaa) — delicious

Gooka (goo kah) — Shelter

Goopa (goo pah) — Hi.

Gunda (goon dah) — Yummy

Heeta hutah — Bark lizard

Luka — Stars

Nude-La — I am a…

Ooba (oo bah) — Rain, Rainfall

Pibooka (pih boo kah) — Clearing

Ruha (roo hah) — Hit

Uuta — Sky

X’iutha (zhoo thah) — Important

three syllables

-ah-oh-ah

Ronda ronda — Landing platform

Treeta Dobra (tree tah Doh brah) — Council of Elders

-ee-ah-ah

Dee fratta (dee frah tah) — That’s, that is

De oppra (dee opp rah) — Upper, top

Ee chee wa maa! (ee chee wah mah) — Wow, gee whiz! Oh my goodness.

Eedada (ee dah dah) — Over

Ne gata/Ni gata (nee gah tah) — Where is…?

-ooh-ah-ah/–uh-ah-ah

Fudana — Wait

K’na Naa (kuh nah nah) — Spirit Tree

-ahd (see also -aht)

Jad (jad) — Down

-aht (see also -ahd)

Jarat (jah raht) — Branch
Theesdarat — Truth

-aig (see also -ang)

Zehg (zayg) — Out

-air (see also -er, -erd)

Deajstare — Death Star

-ale

Chiutatal (chy oo tah tail) — Moon

Tal (tale) — Sun

-ang (see also -aig)

Lang — Think

-are

Azar (ay zar) – Magic

Dangar (dang gar) — Attack (also possible that the phrase is used as a battle cry)

Hutar (hoo tar) — Danger

Lulalar (loo lah lahr) – Sing

-ate (see also -et, -it)

Daboolhat (daboohlait) — Change, be different

-ath

Yayath (ya yath) — Jump

-ay

Danthee (dan thay) — Maybe

Danvay (dan vay) — Be careful

Ileeay — Stop

Noroway (nohr oh way) — Which?

Re — Rise

E

-ease

Chees — Route/path

Eee/Ees (ee) — We

Thees (theess) — Good

-eck (see also -ick)

Yayath (ya yath) — Jump

Chek — Soup

Glek (glek) — Sad

Greh/Grek (grek) — Hands

Shtehk — Sit

Shtek — Vine/rope

Thek (theck) — Here

Yehk — Open

-ecksh (see also -eck)

Deksh — Oh dear/Oh my

-ee

Arandee (ar ahn dee) — Listen

Bingee (bin jee) — To guide

Che (chee) — Free, as in liberty

Churee/Churi (chor ee) — Mountain

Churi – a large bird, the skull of which adorns Logray’s headgear

Chyasee (chy ah see) — Help

Coki (coke ee) — Nine (9)

Cupee (cupp ee) — Cap, as in an ice cap on a mountain

Eedeedee — Under

Eee/Ees (ee) — We

Eetee (ee tee) — Long

Ehshtee/Eshtee (esh tee) — Give

Hii — Visit

Hoji (ho jee) — Four (4)

Jeejee (jee jee) — Face

Kee — Wishes (?)

Lungee (lunj ee) — Lost

Luufi (loo fee) — Flower

Nim-nee — Take (me)

Reshee (resh ee) — Map

Rueenee (roo ee nee) — Ruins

Sunee (suh nee) — Sun

Thesi — There

Tyatee (ty ah tee) — Come

Tyeht danti? — What happened?

Uhree — Up

Yuhyi — See

Yubi Ubi — Go to sleep

Zeekee — Safe

two syllables

-ah-ee

Arandee (ar ahn dee) — Listen

Chyasee (chy ah see) — Help

Tyatee (ty ah tee) — Come

Tyeht danti? — What happened?

-ee-ee

Eedeedee — Under

Eetee (ee tee) — Long

Jeejee (jee jee) — Face

Rueenee (roo ee nee) — Ruins

Zeekee — Safe

-eh-ee

Ehshtee/Eshtee (esh tee) — Give

Reshee (resh ee) — Map

Thesi — There

-oh-ee

Churee/Churi (chor ee) — Mountain

Coki (coke ee) — Nine (9)

Hoji (ho jee) — Four (4)

-ooh-ee

Luufi (loo fee) — Flower

Yubi Ubi — Go to sleep

-uh-ee

Cupee (cupp ee) — Cap, as in an ice cap on a mountain

Lungee (lunj ee) — Lost

Sunee (suh nee) — Sun

three syllables

-ai-ah-ee

Chyasee (chy ah see) — Help

Tyatee (ty ah tee) — Come

-eech (see also -ease)

Feech (feech) — Dang

Geetch (geech) — Push

-eef (see also -eeth)

Feef (feef) — Plant

Oodeef (oo deef) — Sweet

X’eef (zheef) — Ground

-eeg (see also —eej, —eek)

Gleeg (gleeg) — Drink

Seeg — On

Zeeg (zeeg) — In

-eej (see also -eech)

Deej (deej) — Father

-eek (see also -eeg, -eeks)

Eekeekeek (eek eek eek) — Forest

Thleek — Throw

Treek (treek) — Go

Treekveek — Run

Veek (veek) — Quick

Yeek — Look

-eek (see also -eeg, -eeks)

Eekeekeek (eek eek eek) — Forest

Thleek — Throw

Treek (treek) — Go

Treekveek — Run

Veek (veek) — Quick

Yeek — Look

-eeks (see also -eek, -ease)

Jeeks — That

-eep

Eeep! — Yipes!

-eesh (see also -ease, -eech, -eesht)

Gyeesh (gyeesh) — Please

Keesh — When

Shodeesh — Parents

Sleesh (sleesh) — Berry

-eesht

E s’eesht (ee seesht) — Kill

-eet (see also -eet)

Eedada huutaveet — Spaceship

Freet (freet) — Sister

-eeth (see also -eef, -eet)

Kreeth (kreeth) — Cave

-eh

Etke (ett keh) — More

Jadgreh (jad greh) — Foot

Oh hheneheh (oh hén heh) — An expression used to call to order an assembled group in preparation for an announcement—sometimes, after an accompanying drum beat

Yeh (yeh) — Old

-en

Den (den) — No

Hveetin (he veet in) — Glider

Na-chin (nah chin) — Tribe

Treekthin (treek thin) — Journey

Tyehtgeethin — Stranger

Zeeheein — Safety

-er (see also -air, -erd)

Fektur (fek tur) — Medicine

-erd (see also -air, -er)

Lurd (lerd) — Dumb, silly

-esh

T’hesh (tuh hesh) — Quiet

Yesh (yesh) — Right, correct

-et (see also -ait, -it)

Teeket (tee kett) — Heart

Yungyet (yung yett) — Nut

I

-ick (see also -eck)

Drik (drik) — Happy

Eechik — Try

Fic (fic) — Two (2)

-icks

Jiks — This

-im

Chim (chim) — Three (3)

-in (see -en)

-it (see also -et)

Grenchicit (gren chik it) — Hang on/Hold on

Luka yit — Pixie

Yekyit — Say/tell

Yigit — Small

O

-ock

Bok chuu-ock (bahk choo ahk) — Far away

Chak (chahk) — Yes

Che womok! — Beware!

Dutak (doo tok) — Arrow

Moktok — Now

Vootok — village

-oh

Ando (an doh) — Forward

Bi toto (bee toh toh) — Direction

Coro (kor oh) — Can you…?

Eleeo (ee lee oh) — Never

Lurdo (ler-do) — Loser

Mo — more

Oh (oh) — Too

Seefo (see foh) — Hurt

Toto — Is/Does

-ooh

Allayloo (ah lay loo) — Celebrate

Bugdoo – Hungry

Choo doo (choo doo) — Enough

Chu (choo) — One (1)

Fulu (foo loo) — Circle

Goo — Light/Trade

J’voo (ja voo) — Eight (8)

Labu labu? — How much?

Luu (loo) — Beautiful

Meechoo (mee choo) — I

Na goo (nah goo) — Stop!

Ooloo ooloo — Phrase pertaining to eating of someone

Reh rehluu (reh reh loo) — Dance

Sheeu (shee oo) — Name

Shodu (sho doo) — Mother

Sku (skoo) — Hello

Voo (voo) — Seven (7)

Weechu (wee choo) — You

two syllables

-ah-ooh

J’voo (ja voo) — Eight (8)

Labu labu? — How much?

Na goo (nah goo) — Stop!

-ee-ooh

Meechoo (mee choo) — I

Sheeu (shee oo) — Name

Weechu (wee choo) — You

-ooh-ooh

Choo doo (choo doo) — Enough

Fulu (foo loo) — Circle

Ooloo ooloo — Phrase pertaining to eating of someone

-oot

Goot (goot) — Good

Noot — Now

Sirut (seer oot) — Door

Sut (sutt) — Soon

-op/up

Chop — Got (have)

eee chop — we got

Yupyup (yupp yupp) — Rejoice (rejoicing)

U

-ub

Nub — I would/I have

Yub nub (yubb nubb) — Freedom

Yubnub (yub nub) — Hooray

Yub yub (yub yub) — Follow/Let’s go

-uck (see also -ock)

Chuck (chuk) — Much

Fruk (fruk) — Brother

Thuk (thuck) — Rock

-uf/-uv (see also -ub)

Nuv (nuhv) — Love

Yuf (yuhf) — Climb

-ug (see also -uck)

Eyok-nee-chug — What is that?

-uh

Eekeetuhkuh (ee kee tuh kuh) — Axe

Klektuhkuh — Spear

 

 

April 13, 2018/by Travis Sharp
https://wicketmusical.com/wp-content/uploads/2018/04/wicket-fbshared-02.jpg 1254 2400 Travis Sharp https://wicket.wpengine.com/wp-content/uploads/2017/10/Wicket-Logo-w-Tagline-Black-500px-300x109.png Travis Sharp2018-04-13 06:00:222018-05-09 22:32:26Behold! The World’s First Ewokese Rhyming Dictionary

May the Farce Be With You: Musical Parody and Your Star Wars Musical

Wicket: A Parody Musical

The day you’re asked to write a Star Wars musical is special for everyone. For me, the memory is as vivid as when I used to bullseye womp rats in my T-16 back home. Excitement swells as I reach up to the high shelf, bringing down an ancient tome, by now dusted by decades of detritus. A deep breath. The dust scatters. A title is revealed. “So You’re Going To Write A Parody Musical” by… by… some old backlit and bearded guy with a quill probably. Who knows…

Truth is, there is no such book. Truth is, the rules for something like this are only revealed by glancing in the rear view mirror. Truth is, Wicket: A Parody Musical contains only twelve measures that are what I call a parallel parody of another composer’s music. I use the phrase parallel parody here as a tip of the lightsaber to musical counterpoint. You know counterpoint, where two or more musical ideas are performed simultaneously that both depend on one another harmonically while staying independent of one another melodically? J.S. Bach, the ultimate badass of counterpoint did a good bit of it back in the 18th century. Now, this next part might start to get cerebral, so let’s not lose our heads about it…

Point. Counterpoint.

When writing a contrapuntal musical phrase, two of the ways a composer can move the melodies in relationship to one another are either in parallel or contrary motion. To wit, I define parallel musical parody as happening when alternate lyrics are written to an existing melody. Most musical parody is parallel. In parallel musical parody only the lyrics can be considered original. Case in point:

Wicket: A Parody Musical is contrary musical parody. The music and lyrics are both original, but in classic parody style, they deliberately exaggerate and imitate the musical styles of Star Wars and Wicked for comedic effect. A friend who caught a performance of the Dad’s Garage workshop run summed it up well by saying that the musical parody in Wicket is less Weird Al (who writes mostly parallel musical parody, but also dabbles in contrary musical parody as well) and more South Park (who, IMHO are some of the best contrary musical parody writers working today.)

Don’t F@*k with John Williams or Stephen Schwartz

Obviously, both Star Wars and Wicked are leaving long and storied musical legacies. Like many of you, John Williams and I go way back, though he has yet to return any of my calls. I remember dancing around to the Star Wars 8-Track as a 7-year-old in Nova Scotia, the orchestra drilling itself deeper and deeper into my somatic imagination. When I started crushing on stage musicals in high school, it was both Les Mis and this new show about the Wicked Witch of the West by Stephen Schwartz and Winnie Holzman that taught me how powerful it can be when music and storytelling join forces.

Early on, Travis and I decided that it would be better, for the most part, to leave the genius of John Williams and Stephen Schwartz alone. Also, parallel musical parody didn’t give us the freedom we needed to express what we wanted to. So we opted for contrary musical parody, letting the satire and storyline determine the style of each song.

In Conclusion

So, when the day comes that you start writing yourself a parody Star Wars musical, it’s helpful to ask yourself how parallel or contrary you’d like your musical to be. If your goal is to simply be funny and clever then parallel musical parody might be a great choice. If, on the other paw, you’re looking to also give yourself the freedom to extract more than just funny and clever from your parody, then consider utilizing contrary musical parody. It’ll be a good time for sure.

What are your favorite examples of either parallel or contrary musical parody? What are your favorite examples of Star Wars musical parody in particular? Leave your answer in the comments below and do us a solid by sharing this post with other friends who might be writing their own parody Star Wars musical today.

April 10, 2018/by Haddon Kime
https://wicketmusical.com/wp-content/uploads/2018/04/wicket-fbshared-05.jpg 1254 2400 Haddon Kime https://wicket.wpengine.com/wp-content/uploads/2017/10/Wicket-Logo-w-Tagline-Black-500px-300x109.png Haddon Kime2018-04-10 09:36:532018-04-22 07:38:01May the Farce Be With You: Musical Parody and Your Star Wars Musical

Naming Our Blog

Wicket: A Parody Musical

Here, on this momentous day as we launch this blog, which will certainly be studied—and likely revered—by future humans and non-humans alike, we must ask a very pertinent and, in this scenario, pivotal question:

What do you name a blog about a parody Ewok musical?

I know what you’re thinking: “The painfully obvious choice is to call it The bLog.” We see what you did there. It’s perfect. After all, we want this blog to smash people’s heads, metaphorically, the same way Ewoks’ clever swinging log traps smashed the metaphoric heads of the Empire’s All Terrain Scout Transports. (No doubt gorily crushing the absolutely literal heads of the Imperials inside at the time. And their ribs and organs and stuff. And then we bet the Ewoks ate them, cause they do that.) Our byline would be, “We put the ‘log’ in ‘the World’s Best Parody Ewok Musical Blog’.” It practically writes itself.

But is it too easy? We never took the easy way out when we wrote this show. We never went with the obvious or pandered to the masses. This show is liberally festooned with references so deep that the guy who runs the Random Star Wars Reference YouTube Channel didn’t get a couple of our random Star Wars references. So what if we dug deeper?

A Deeper Cut

The Oxford English Dictionary says the word “blog” was coined May 23, 1999; a shortened form of the phrase “web log.” Hmm, sounds legit. But let us take you back further; to a simpler time: the 1900s. More specifically, the 1900-and-eighties. Most specifically, 1986. Back in 1986, the Web was just a shriveled Defense Department baby made of wires and packets called the ARPANET. And in 1986, the term “log” referred exclusively to longish hanks of doo-doo.

In those internet-free days, one medium dominated: the ABC network cartoon Star Wars: Ewoks. And it was on that very show, in the episode “A Warrior and a Lurdo,” that our heroes Wicket and Teebo were assailed by a fierce hippo-like creature called … wait for it…
A Blog.

Technically, that makes this the first blog ever to talk about the first “Blog” ever. So, maybe we should just call our blog, “Blog.” Or maybe, “The Blog blog.” We like it, but Blogs play no role in our musical—so we feel like we haven’t really earned it. So as much as we like the idea of a masthead featuring a stylized hippo with batwing ears, we’re going to move on to our third option.
You know people who change words around for no good reason? They’re the people who say, “anywho,” instead of “anyhow.” They’d probably call a guitar a “git-fiddle.” We bet they end a lot of conversations with, “cool beans.” We hate those people for no good reason. So with a spirit of open-mindedness and love, we’d like to embrace those assholes and call our blog something that sounds equally unnecessarily stupid.
We want to call our blog, “Blurrg.”

Try saying it. “Blurrg.” “Yo peeps, have you peeped our blurrg yet?! Cool beans.” It rankles in just the right way.
And this is just the irritating tip of the iceberg. You see, Blogs (the hippo creatures) aren’t the only strange creature on Endor’s forest moon. Oh Golden One no! There are so many weird species and races there that you can make just about and random sound and accidentally name an Endoran creature. Go ahead, say a few syllables of gibberish:
“Fleebog?” Congrats, you’ve just named a tiny tunnel-dwelling race with blue skin, red eyes, and a yellow shell.
“Tip-yip?” That’s random. But it’s also an Endoran chicken which happens to look just like an Earth chicken by an amazing feat of parallel evolution.
“Fftssfft?” Gesundheit. That’s a ridiculous collection of consonants, but it’s also the name of a race of semi-sentient flower creatures.

Given this cacophony of creatures, it may not be surprising to learn that a “Blurrg” is also an Endoran creature. From Wookiepedia:

“Blurrgs were a two-legged reptilian species that lived on the plains of the forest moon of Endor, as well as the planet Ryloth. They were used by the Sanyassan Marauders living on that moon to do their heavy labor. The Sanyassans originally used them as attack creatures, but they were too slow while carrying cargo and calm, so they used them as beasts of burden instead. They controlled them with spiked chain bridles, riding on their backs with stiff saddles.”

Moreover, blurrgs factor in to Wicket a Parody Musical in a minor but meaningful way. They’re right in the script!

TEEBO (winking): Relax, I’m talking about a blurrg. Right, Wicket?
WICKET: Ee-chee-wa-maa, I bet it was amazing! I wish I could ride one of those…
TEEBO: You’re too small little buddy. Remember… size matters.
WICKET: Yeah but I could do it! I’d be all like… C’mon blurrg, yeah blurrg, you know you like it when I ride you blurrg!

So yeah, the script mentions blurrgs four times. In two sentences. And it sounds dumb. So that’s why it’s the name for our new blog.
Welcome to our Blurrg! Cool beans.

April 3, 2018/by Travis Sharp
https://wicketmusical.com/wp-content/uploads/2018/04/wicket-fbshared-04.jpg 1254 2400 Travis Sharp https://wicket.wpengine.com/wp-content/uploads/2017/10/Wicket-Logo-w-Tagline-Black-500px-300x109.png Travis Sharp2018-04-03 07:28:152018-04-22 07:43:13Naming Our Blog

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